The tenori-on, while a most entertaining device in it's own right, is a real pain in the arse to do anything musical with in a band type situation. Still, I shall persevere. Gotta get some ROI here...
Pt II > III transition: Arp'd chords (a la Sirens) - lyrics over second part with stop containing a single word left hanging for a suitably pregnant 1 bar pause, then into third section. Preferably "marmalade" to tie in to subsequent toast references. :-) Pt. III: Keep existing chord structure overall but rather than play everything for 2 bars as in the original vary the lengths to something more dramatic. Bellamy-esque. (Matt, not David.)
Dunno, guv. I only knew the melody. Des is the keeper of chords. It might be worth putting ones name on these posts - it's all being submitted via my typepad account.
Also - everything is visible in public so no trade secrets, right? ;-)
If anyone knows this of the top of their heads or can easily find it out that's be great...